Boedecker made her role debut as Pamina in Die Zauberflöte and covered the title role in Donizetti’s Rita with Sarasota Opera, she made her Opera Columbus debut in their Opera Swings Jazz concerts and returned to Santa Fe Opera to sing Meredian in Joe Illick and Andrea Walter’s UnShakeable. In 2018 she performed the role of Clorinda in La Cenerentola with Opera Las Vegas, and made her role debut as Susanna in Le nozze di Figaro with James Conlon and James Darrah, at Music Academy of the West. Boedecker returned to Sarasota Opera where she performed the role of Adina in L’elisir d’amore, and was scheduled to return to Opera Las Vegas to reprise the role of Pamina in Die Zauberflöte (canceled due to COVID-19). Boedecker joined the Steamboat Symphony Orchestra as the soprano soloist in Mozart’s Mass in C minor, the Wichita Symphony Orchestra and Capriccio Columbus as the soprano soloist in Carmina Burana, the Naples Philharmonic as the soprano soloist in Handel’s Messiah, and the Lensic Performing Arts Center in Santa Fe for their New Year’s Eve Gala, where she performed Mozart’s Exsultate, Jubilate. In the spring of 2021, she covered the role of Frasquita in Carmen with Atlanta Opera and performed the role of Norina in Don Pasquale with Opera Las Vegas.ĭuring the 2019-2020 season, Ms. Boedecker returned to Pittsburgh Opera to perform Pamina in The Magic Flute, joined the Metropolitan Opera roster, covering Thibault in Don Carlos, sang as a featured soloist with the Choral Artists of Sarasota, and upcoming, and made her Florida Grand Opera debut as Mary Johnson in Fellow Travelers. Soprano, Adelaide Boedecker, has been described as “emotionally transparent and beguiling of tone” (The San Francisco Chronicle).
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